Marie Muller Priqueler is a visual artist based currently in France. Her work is characterised by psycho-analysis, philosophical and esoteric researches regarding woman-being, within the support of phytotherapy and nature. She creates pictures, alive installations and writings about women’s confidence and the close relationship between them and their body.

In 2020 she was graduated with Merit from an MA Photography at the Royal College of Art in London; she organised an online student-led talk with Sophie Calle and was lead of a collective with few RCA colleagues.

Marie holds a European Bachelor of Fine Arts in Photography and Contemporary Image and different certificates in Paper-making and Aromatherapy. Recent group exhibitions include Hidden Garden Game, online (2021) and Women & Photography: Ways of Seeing and Being Seen at the Ovada Gallery for Photo Oxford (2020). She organised this year her first immersive virtual solo show in Besançon “A Life Time Comes and Goes”, with the support of a drone filmmaker.

Marie creates her work with the expertise and technique of her partner Thomas Petetin.

Éducation/Education

2018-2020 MA Photography with Merit - Royal College of Art, London, UK

2015-2016 BA Photography, Final Year - Bloo School, Lyon, FR

2013-2015 BA Photography, Two Years - Condé School, Lyon, FR

2012-2013 First Year, Fine Art School - Besançon, FR

2011-2012 Preparation Course, Prep’art - Paris, FR

2011 Baccalauréat (equivalent to A-Levels), mathematics, physics, biology

Formations/Training Courses

2020 Papermaking Course - Morley’s College, London, UK

2019 Therapeutic Art Life Coach - Udemy

2017 Aromatherapy Training Course - L’Aromathèque, Lyon, FR

Experiences/Residencies

2022 Rencontres artistiques with Yoyo Maeght, Hélène Geber, Marianne Dollo, Ségolène Brossette and Catherine Duparc, Carré sur Seine, Paris, FR

2021-2022 Gallery Assistant internship at Semiose, Paris, FR

2021-2022 Residencies of the Biennale d’Art Contemporain : Appel d’air, Arras, FR

2021 Mentorship program with Bindi Vora organised by T.J Boulting Gallery and Haley Morris-Cafiero, London, UK

2020 Solo Coordinator - Sophie Calle online talk for RCA Student

2019 Co-founder - Everything the same//Everything a little different collective

2017 Blog Author - Jmamuse

2017 Founder & Director - La Chatte au Miel

Expositions personnelles/Solo Exhibitions

2021 A Life Time Comes and Goes, Self-produced, online

Expositions collectives/Group Exhibitions (click)

2022 Salon d’Automne, Grande Halle de La Villette, Paris, FR

2022 Appel d’Air, Biennale d’Art Contemporain, Arras, FR

2021 Hidden Garden Games, cur. Ksenia Kasko, Anastasia Senozatskaya, Kristina Syrchikova, Hidden Garden, online

2020 Women & Photography: Ways of Seeing and Being Seen, cur. Katy Barron, The OVADA Gallery, Photo Oxford, Oxford, UK

2020 Global Design Graduate Show 2020, i-D and ARTSTHREAD, online

2020 With Fists, it Kicks, it Bites, cur. Ruth Blees Luxemburg, Hannah Watson, Webber Gallery, London, UK

2020 RCA2020, online

2020 This is Gender, The Global Health 50/50, London, UK

2019 Everything the same//Everything a little different, Self-produced, Art Academy, London, UK

2019 Representation on the Line: (Un)framing our Identities, RPS Hundred Heroines, London, UK

2019 WIP Show, Royal College of Art, London, UK

2017 Shibari Workshop, Sofffa Gallery, Lyon, FR

2016 Degree Show, Bloo School, Lyon, FR

2015 Low Cost, Bloo School, Lyon, FR

Récompenses/Awards

2021 Moscow foto award - Winner

2020 Photo Oxford 2020, Women and Photography: Ways of Seeing and Being Seen - Shortlisted

2020 i-D and ARTSTHREAD Global Design Graduate Show 2020 - Shortlisted

2020 The New Photography Prize 2020, Simon Bishop’s collection judged by Marianna Simnett - Winner

2020 The Global Health 50/50, This is Gender - Finalist

Conférence/Lecture

2018 Deconstructing body and sexual norms, Festival Eros Femina, Paris, FR

Publications

Livres d'artiste/Artist's Books

• MULLER PRIQUELER, Marie, La Chatte au Miel, self-published, second edition, London, 2019.
• MULLER PRIQUELER, Marie, La Chatte au Miel, self-published, first edition designed by Nine Perrard, London, 2019.
• MULLER PRIQUELER, Marie, May the wings of the butterfly kiss the sun, self-published, Lyon, 2018.
• MULLER PRIQUELER, Marie, Hedonism, self-published, Lyon, 2016.
• MULLER PRIQUELER, Marie, Ma fille, elle fait du nu!, self-published, Lyon, 2016.

Ouvrages collectifs/Collective Books

• LOVELACE, Tom, Fall into place, cat. exp. (Webber Gallery, London, 2020), Folium publishing, London, 2020.
Everything the same//Everything a little different, cat. exp. (Art Academy, London, 2019), self-published, London, 2019.

Revues de presse/Press Reviews (click)

• CHAILLET, Catherine, “Ateliers Vauban : l’exposition d’une femme engagée à découvrir virtuellement”, L’Est Républicain, 2021, p.
• HEALTH, Alex, “Artists of the month”, Artfinder, October, 2020, online.
“FEATURE, Marie Muller Priqueler Bodysystem”, P Magazine, August, 2020, online.
PARRY, Jessica, “Marie Muller Priqueler, La Vitalité Hybride – Deterioration”, Foto Femme United, August 31, 2020, online.
DUVEAU, Laetitia, “La Vitalité Hybride – Deterioration by Marie Muller Priqueler”, Curated by Girls, August, 2020, online.
Jazztvshow, July 23, 2020, online.
Revolv Collective, May 9, 2020, online.
“This is Gender”, Global Health 50/50, 2019, online.
Issue Six, Math Magazine, Brooklyn, 2018.
DES SOURCES, Manon, “La Chatte au Miel : La liberté pure des minous ”, Le Tag Parfait, February 27, 2018, online.
• HUTCHENCE, Ainsley, “Check Ignition”, Stick and Stone Agency, February 2, 2018, online.
“La Chatte au Miel — Voyage en Inocie”, Tissue Magazine, September 29, 2017, online.
SALIOU, Mathilde, “La photographe Marie Muller Priqueler explore la manière dont les femmes assument et érotisent leurs corps”, Cheek Magazine, September 1, 2017, online.
BORTOLINO, Claudia, “CLITOPIA – Érotisme & Féminisme”, Cacti Magazine, June 6, 2017, online.

Interviews

“Marie Muller Priqueler about La Vitalité Hybride”, Hidden Garden, 2020, youtube.
• “La Chatte au Miel interview”, Radio Nova, 2017, broadcast.

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